Stian Andreassen

misantropisk nektar

Stian Andreassen header image 2

Mark Twain’s Rules of Literary Art

January 12th, 2005 · 7 Comments

Reglene her presentert er hentet fra essayet «Fenimore Cooper’s Literary Offenses» av Mark Twain – til underholdning og oppbyggelse.

Rules governing literary art require:

  1. That a tale shall accomplish something and arrive somewhere.
  2. They require that the episodes of a tale shall be necessary parts of the tale and shall help to develop it.
  3. They require that the personages of a tale shall be alive, except in the case of corpses, and that always the reader shall be able to tell the corpses from the others.
  4. They require that the personages in a tale, both dead and alive, shall exhibit sufficient excuse for being there.
  5. They require that when personages of a tale deal in conversation, the talk shall sound like human talk, and be talk such as human beings would be likely to talk in the given circumstances, and have a discoverable meaning, also a discoverable purpose, and a show of relevancy, and remain in the neighborhood of the subject in hand, and be interesting to the reader, and help out the tale, and stop when people cannot think of anything more to say.
  6. They require that when the author describes the character of a personage in his tale, the conduct and conversation of that personage shall justify said description.
  7. They require that when a personage talks like an illustrated, gilt-edged, tree-calf, hand tooled, seven dollar Friendship’s Offering in the beginning of a paragraph, he shall not talk like a negro minstrel in the end of it.
  8. They require that crass stupidities shall not be played upon the reader as «the craft of the woodsman, the delicate art of the forest» by either the author or the people in the tale.
  9. They require that the personages of a tale shall confine themselves to possibilities and let miracles alone; or, if they venture a miracle, the author must so plausibly set it forth as to make it look possible and reasonable.
  10. They require that the author shall make the reader feel a deep interest in the personages in his tale and in their fate; and that he shall make the reader love the good people in the tale and hate the bad ones.
  11. They require that the characters in a tale shall be so clearly defined that the reader can tell beforehand what each will do in a given emergency.

    In addition to the large rules there are some little ones. These require that the author shall:

  12. Say what he is proposing to say, not merely come near it.
  13. Use the right word, not its second cousin.
  14. Eschew surplusage.
  15. Not omit necessary details.
  16. Avoid slovenliness of form.
  17. Use good grammar.
  18. Employ a simple and straightforward style.

Tags: Gamle poster

7 responses so far ↓

  • 1 Erik the Clerk // Jan 13, 2005 at 15:34

    "Eschew surplusage"

    En kreativ måte å si "omit needless words" på. :o)

  • 2 Stian Andreassen // Jan 13, 2005 at 15:47

    «Eschew surplusage» var en av mine absolutte favoritter! Og «Use the right word, not its second cousin.» En klassiker! :-D

  • 3 Nils // Jan 13, 2005 at 15:58

    Dette er jo greit hvis man skal skrive barnebøker.

  • 4 annetten // Jan 13, 2005 at 16:15

    Det er sannelig greit om man skal skrive andre bøker også. Det er helt streit å bryte regler for å oppnå en effekt av noe slag, men da bør man være klar over at man gjør det.

    Egentlig kan hele lista kokes ned til "vit hva du driver med".

  • 5 lauvdahl // Jan 13, 2005 at 16:26

    slikt vekker anarkisten i meg. jeg har lyst til å knuse et litterært vindu.

  • 6 Elf // Jan 14, 2005 at 08:42

    "Use the right word, not its second cousin" minner meg om den sketsjen av Lystad/Mjøen hvor de intervjuer en språkforsker som er lei av feilaktig bruk av tiltaleformene. Eller som han sier: "Jeg vil luke vekk språklig ugress!"

  • 7 w.cornelissen // Jan 22, 2005 at 17:31

    Ben je wel eens in Beuningen Nederland geweest

Leave a Comment